Oct 26, 2025

Finding be; And How a Chance Connection Became a Firefly Project

A story about community, inclusion, and the spaces that help people feel seen.

A story about community, inclusion, and the spaces that help people feel seen.

A story about community, inclusion, and the spaces that help people feel seen.

An indoor scene viewed through a window, possibly in a cafe or shop. A rectangular sign hangs in the window with a rainbow background (red, orange, yellow, green, blue, purple) and the word "WELCOME" in black text at the top. Below the text, three black cats' faces are depicted. On the left side of the frame, a dark, possibly metal, hanging chair or swing is visible, partially obscuring a person seated inside. Another person's arm and torso are visible on the right, seemingly reaching toward the window or walking past. The windowsill holds small plants in clear bottles wrapped with string lights. The interior is dimly lit, with bright natural light coming through the large window.

We’ve learned that the best projects rarely start with a pitch deck; they start with people.

In 2023, we came across a Facebook post for a local networking night at Casa Agave in Bridgewater. No agenda, no expectations. Just a chance to meet others doing good work in the community. Over plates of tacos and small talk, we met the founders of be;, Lisa and Nicole. Within a few minutes, the conversation shifted from introductions to shared values: access, empathy, and the belief that everyone deserves a space to belong.

That night sparked something.

We left not thinking about the services we could provide, but the amazing opportunity in front of us to tell the real stories of beautifully different individuals. Within weeks, that chance meeting became a Firefly Project partnership — a collaboration built around helping be; show the world what belonging feels like.

WATCH JAY'CE STORY
WATCH JAY'CE STORY
WATCH JAY'CE STORY
A close-up indoor photograph of three people posing in front of a rainbow-striped backdrop. From left to right, a man with glasses and a red jacket smiles; a woman with bright orange-red hair, glasses, and a green jacket smiles; and an older woman with grey hair and glasses smiles. On the far left, a person is partially visible from the back, holding a smartphone to take a picture of the group. The backdrop is a pride flag design, and also features a partial black circle on the right.

What be; Is

Programs and people that make connection easy.

be; is more than a community center. It’s a network of people who believe in shared humanity, built around programs that make connection easier for adults with differing abilities and LGBTQIA+ identities. And anyone standing in their corner.

Walk into one of their events and you feel it immediately. It’s the sense that you don’t have to perform or explain yourself. Conversations flow easily. Laughter comes quickly. Someone always remembers your name.

Their calendar reflects that same energy:

be; yond the spectrum — a weekly meetup for neurodivergent young adults exploring independence and friendship.

Queer Open Mic (QOM) — a night of music, poetry, and storytelling hosted at local cafés and art spaces where people can express themselves through any medium they want.

Rainbow Recess — field trips and playful community events that remind everyone joy is serious work.

Trans & Non-Binary Support Group and LGBTQIA Adult Support Group — spaces to speak freely and find solidarity.

be; local — a networking series connecting small-business owners and allies alike for an event that creates meaningful connections and partnerships locally.

be; stro — a café and co-working hub inside the be; community center for anyone who just wants a place to be.

Each program exists because someone needed it first. Together they create a holistic community that’s flexible, real, and grounded in the everyday needs of actual people.

Learn About Be;
A close-up indoor photograph of three people posing in front of a rainbow-striped backdrop. From left to right, a man with glasses and a red jacket smiles; a woman with bright orange-red hair, glasses, and a green jacket smiles; and an older woman with grey hair and glasses smiles. On the far left, a person is partially visible from the back, holding a smartphone to take a picture of the group. The backdrop is a pride flag design, and also features a partial black circle on the right.

What be; Is

Programs and people that make connection easy.

be; is more than a community center. It’s a network of people who believe in shared humanity, built around programs that make connection easier for adults with differing abilities and LGBTQIA+ identities. And anyone standing in their corner.

Walk into one of their events and you feel it immediately. It’s the sense that you don’t have to perform or explain yourself. Conversations flow easily. Laughter comes quickly. Someone always remembers your name.

Their calendar reflects that same energy:

be; yond the spectrum — a weekly meetup for neurodivergent young adults exploring independence and friendship.

Queer Open Mic (QOM) — a night of music, poetry, and storytelling hosted at local cafés and art spaces where people can express themselves through any medium they want.

Rainbow Recess — field trips and playful community events that remind everyone joy is serious work.

Trans & Non-Binary Support Group and LGBTQIA Adult Support Group — spaces to speak freely and find solidarity.

be; local — a networking series connecting small-business owners and allies alike for an event that creates meaningful connections and partnerships locally.

be; stro — a café and co-working hub inside the be; community center for anyone who just wants a place to be.

Each program exists because someone needed it first. Together they create a holistic community that’s flexible, real, and grounded in the everyday needs of actual people.

Learn About Be;
A close-up indoor photograph of three people posing in front of a rainbow-striped backdrop. From left to right, a man with glasses and a red jacket smiles; a woman with bright orange-red hair, glasses, and a green jacket smiles; and an older woman with grey hair and glasses smiles. On the far left, a person is partially visible from the back, holding a smartphone to take a picture of the group. The backdrop is a pride flag design, and also features a partial black circle on the right.

What be; Is

Programs and people that make connection easy.

be; is more than a community center. It’s a network of people who believe in shared humanity, built around programs that make connection easier for adults with differing abilities and LGBTQIA+ identities. And anyone standing in their corner.

Walk into one of their events and you feel it immediately. It’s the sense that you don’t have to perform or explain yourself. Conversations flow easily. Laughter comes quickly. Someone always remembers your name.

Their calendar reflects that same energy:

be; yond the spectrum — a weekly meetup for neurodivergent young adults exploring independence and friendship.

Queer Open Mic (QOM) — a night of music, poetry, and storytelling hosted at local cafés and art spaces where people can express themselves through any medium they want.

Rainbow Recess — field trips and playful community events that remind everyone joy is serious work.

Trans & Non-Binary Support Group and LGBTQIA Adult Support Group — spaces to speak freely and find solidarity.

be; local — a networking series connecting small-business owners and allies alike for an event that creates meaningful connections and partnerships locally.

be; stro — a café and co-working hub inside the be; community center for anyone who just wants a place to be.

Each program exists because someone needed it first. Together they create a holistic community that’s flexible, real, and grounded in the everyday needs of actual people.

Learn About Be;
Three people are gathered around a bright campfire at night. The fire is burning intensely in the foreground, with flames and glowing embers clearly visible. Two people are sitting close together on the right side of the fire, both wrapped in blankets or shawls. One is wearing glasses and has a plaid shirt underneath, appearing to be speaking and gesturing with their right hand. The other person next to them is smiling and looking toward the speaker. A third woman is partially visible on the far left, also smiling and looking toward the group. The ground and background are dark, with the fire being the main source of light. There is also text associated with the image that reads "TREASURES in the Attic."

Why Social Connection Matters

What research and real life show about belonging.

For many adults, especially those with differing abilities, social connection is hardest to find once school ends. Structured support falls away. Transportation is limited. Jobs can be isolating, and inclusive recreation programs are scarce.

Studies such as The Spectrum of Social Participation of Autistic Adults (Chan et al., 2022 via National Institutes of Health) show that regular, community-based social experiences build confidence and emotional resilience. Advocacy from The Arc of Massachusetts echoes it: opportunities to connect aren’t a luxury; they’re a foundation for well-being.

Across the South Shore, those opportunities are limited. That’s why be; matters. Its programs are integrated with local restaurants, churches, parks, bringing connection to where people already are. That mobility breaks barriers and turns inclusion from an ideal into a practice.

Three people are gathered around a bright campfire at night. The fire is burning intensely in the foreground, with flames and glowing embers clearly visible. Two people are sitting close together on the right side of the fire, both wrapped in blankets or shawls. One is wearing glasses and has a plaid shirt underneath, appearing to be speaking and gesturing with their right hand. The other person next to them is smiling and looking toward the speaker. A third woman is partially visible on the far left, also smiling and looking toward the group. The ground and background are dark, with the fire being the main source of light. There is also text associated with the image that reads "TREASURES in the Attic."

Why Social Connection Matters

What research and real life show about belonging.

For many adults, especially those with differing abilities, social connection is hardest to find once school ends. Structured support falls away. Transportation is limited. Jobs can be isolating, and inclusive recreation programs are scarce.

Studies such as The Spectrum of Social Participation of Autistic Adults (Chan et al., 2022 via National Institutes of Health) show that regular, community-based social experiences build confidence and emotional resilience. Advocacy from The Arc of Massachusetts echoes it: opportunities to connect aren’t a luxury; they’re a foundation for well-being.

Across the South Shore, those opportunities are limited. That’s why be; matters. Its programs are integrated with local restaurants, churches, parks, bringing connection to where people already are. That mobility breaks barriers and turns inclusion from an ideal into a practice.

Three people are gathered around a bright campfire at night. The fire is burning intensely in the foreground, with flames and glowing embers clearly visible. Two people are sitting close together on the right side of the fire, both wrapped in blankets or shawls. One is wearing glasses and has a plaid shirt underneath, appearing to be speaking and gesturing with their right hand. The other person next to them is smiling and looking toward the speaker. A third woman is partially visible on the far left, also smiling and looking toward the group. The ground and background are dark, with the fire being the main source of light. There is also text associated with the image that reads "TREASURES in the Attic."

Why Social Connection Matters

What research and real life show about belonging.

For many adults, especially those with differing abilities, social connection is hardest to find once school ends. Structured support falls away. Transportation is limited. Jobs can be isolating, and inclusive recreation programs are scarce.

Studies such as The Spectrum of Social Participation of Autistic Adults (Chan et al., 2022 via National Institutes of Health) show that regular, community-based social experiences build confidence and emotional resilience. Advocacy from The Arc of Massachusetts echoes it: opportunities to connect aren’t a luxury; they’re a foundation for well-being.

Across the South Shore, those opportunities are limited. That’s why be; matters. Its programs are integrated with local restaurants, churches, parks, bringing connection to where people already are. That mobility breaks barriers and turns inclusion from an ideal into a practice.

An indoor photograph shows three people gathered at a bar or social event. A man in the center, with short grey hair and a patterned light blue polo shirt, is smiling and looking toward a woman on the left. He is holding a tall glass with a black straw and wearing a name tag that appears to read "David". The woman on the left has dark, curly hair with sunglasses on top of her head, is wearing a black top, and is holding a glass, appearing to be engaged in conversation. A third person is partially visible on the far right with their back to the camera, wearing a reddish-brown t-shirt. The background wall is a vibrant magenta/hot pink, adorned with modern, colorful graffiti-style artwork on canvases.

Programs in Action

A week in the life of community connection.

Follow be; for a week and you’ll see community in motion.

Monday night might be be; yond the spectrum, where young adults meet at a local coffee shop to swap stories about work, school, and life. Tuesday could bring the LGBTQIA Adult Support Group in a church fellowship hall. On Friday, music fills a small venue for QOM – Queer Open Mic.

Each gathering looks different, but the feeling is the same: relief and recognition. People arrive carrying the noise of the week and leave a little lighter.

Then there’s Rainbow Recess, where adults rediscover play through art workshops or day trips. be; local brings small-business owners together to trade advice and share purpose. And the be; stro is there whenever someone just needs space to read, work, or talk.

Together, these programs create an ecosystem of belonging. You can join one or all and still feel part of the same story because they create an atmosphere that’s unique, but consistent in everything they do.

An indoor photograph taken in a large, dimly lit room with exposed wooden beams, suggesting a barn or rustic event venue. A group of people are seated at round tables in the foreground, facing a large projection screen. The screen is displaying an old, square-format photograph of two young girls or women smiling and submerged up to their chests in churning water, possibly a pool or the ocean. The two people on the screen are looking directly toward the viewer. The room's lighting is warm and low, highlighting the audience and the wooden architecture.
An indoor photograph shows a heartfelt embrace between two people in the center of the frame, suggesting a warm social gathering. The person on the right, wearing a blue denim jacket over a black shirt, is hugging the person on the left, who is in a black short-sleeved top. The person in the jacket is holding a bottle in their right hand. Behind them is a dark wall, with a large, bright red curtain pulled back on the right side. Above them is a white wall-mounted air conditioning unit. To the left, a woman with blonde, curly hair and a white open cardigan over a dark top is smiling broadly, holding a bottle of beer and looking at the embracing pair. Other attendees are partially visible in the foreground and on the far left. A stained-glass lamp hangs in the upper left corner, casting a warm light. The overall scene is well-lit and feels casual.
A candid, sunlit outdoor photograph shows a young woman with dark hair and glasses laughing joyfully. She is wearing a light blue denim or chambray shirt over a dark t-shirt with a graphic design. She is seated or leaning against a rustic wooden bar or counter. A man is partially visible on the far left, holding a pair of sunglasses. In the soft-focus background, there is greenery and a few other people seated at a table. The overall scene is bright and warm, suggesting a casual, happy social gathering in the late afternoon.
A candid, sunlit outdoor portrait of two people, both wearing glasses and smiling directly at the camera. The person on the left is younger, wearing a black baseball cap and a black t-shirt with a light blue graphic that reads "ENCORE". The person on the right is older, wearing a plain red t-shirt, and has their right arm wrapped around the shoulder of the person on the left. They are standing on what appears to be a paved road or path with a blurred background of trees and vehicles, suggesting the photo was taken outdoors in soft, warm, natural light.
An indoor photograph shows three people gathered at a bar or social event. A man in the center, with short grey hair and a patterned light blue polo shirt, is smiling and looking toward a woman on the left. He is holding a tall glass with a black straw and wearing a name tag that appears to read "David". The woman on the left has dark, curly hair with sunglasses on top of her head, is wearing a black top, and is holding a glass, appearing to be engaged in conversation. A third person is partially visible on the far right with their back to the camera, wearing a reddish-brown t-shirt. The background wall is a vibrant magenta/hot pink, adorned with modern, colorful graffiti-style artwork on canvases.

Programs in Action

A week in the life of community connection.

Follow be; for a week and you’ll see community in motion.

Monday night might be be; yond the spectrum, where young adults meet at a local coffee shop to swap stories about work, school, and life. Tuesday could bring the LGBTQIA Adult Support Group in a church fellowship hall. On Friday, music fills a small venue for QOM – Queer Open Mic.

Each gathering looks different, but the feeling is the same: relief and recognition. People arrive carrying the noise of the week and leave a little lighter.

Then there’s Rainbow Recess, where adults rediscover play through art workshops or day trips. be; local brings small-business owners together to trade advice and share purpose. And the be; stro is there whenever someone just needs space to read, work, or talk.

Together, these programs create an ecosystem of belonging. You can join one or all and still feel part of the same story because they create an atmosphere that’s unique, but consistent in everything they do.

An indoor photograph taken in a large, dimly lit room with exposed wooden beams, suggesting a barn or rustic event venue. A group of people are seated at round tables in the foreground, facing a large projection screen. The screen is displaying an old, square-format photograph of two young girls or women smiling and submerged up to their chests in churning water, possibly a pool or the ocean. The two people on the screen are looking directly toward the viewer. The room's lighting is warm and low, highlighting the audience and the wooden architecture.
An indoor photograph shows a heartfelt embrace between two people in the center of the frame, suggesting a warm social gathering. The person on the right, wearing a blue denim jacket over a black shirt, is hugging the person on the left, who is in a black short-sleeved top. The person in the jacket is holding a bottle in their right hand. Behind them is a dark wall, with a large, bright red curtain pulled back on the right side. Above them is a white wall-mounted air conditioning unit. To the left, a woman with blonde, curly hair and a white open cardigan over a dark top is smiling broadly, holding a bottle of beer and looking at the embracing pair. Other attendees are partially visible in the foreground and on the far left. A stained-glass lamp hangs in the upper left corner, casting a warm light. The overall scene is well-lit and feels casual.
A candid, sunlit outdoor photograph shows a young woman with dark hair and glasses laughing joyfully. She is wearing a light blue denim or chambray shirt over a dark t-shirt with a graphic design. She is seated or leaning against a rustic wooden bar or counter. A man is partially visible on the far left, holding a pair of sunglasses. In the soft-focus background, there is greenery and a few other people seated at a table. The overall scene is bright and warm, suggesting a casual, happy social gathering in the late afternoon.
A candid, sunlit outdoor portrait of two people, both wearing glasses and smiling directly at the camera. The person on the left is younger, wearing a black baseball cap and a black t-shirt with a light blue graphic that reads "ENCORE". The person on the right is older, wearing a plain red t-shirt, and has their right arm wrapped around the shoulder of the person on the left. They are standing on what appears to be a paved road or path with a blurred background of trees and vehicles, suggesting the photo was taken outdoors in soft, warm, natural light.
An indoor photograph shows three people gathered at a bar or social event. A man in the center, with short grey hair and a patterned light blue polo shirt, is smiling and looking toward a woman on the left. He is holding a tall glass with a black straw and wearing a name tag that appears to read "David". The woman on the left has dark, curly hair with sunglasses on top of her head, is wearing a black top, and is holding a glass, appearing to be engaged in conversation. A third person is partially visible on the far right with their back to the camera, wearing a reddish-brown t-shirt. The background wall is a vibrant magenta/hot pink, adorned with modern, colorful graffiti-style artwork on canvases.

Programs in Action

A week in the life of community connection.

Follow be; for a week and you’ll see community in motion.

Monday night might be be; yond the spectrum, where young adults meet at a local coffee shop to swap stories about work, school, and life. Tuesday could bring the LGBTQIA Adult Support Group in a church fellowship hall. On Friday, music fills a small venue for QOM – Queer Open Mic.

Each gathering looks different, but the feeling is the same: relief and recognition. People arrive carrying the noise of the week and leave a little lighter.

Then there’s Rainbow Recess, where adults rediscover play through art workshops or day trips. be; local brings small-business owners together to trade advice and share purpose. And the be; stro is there whenever someone just needs space to read, work, or talk.

Together, these programs create an ecosystem of belonging. You can join one or all and still feel part of the same story because they create an atmosphere that’s unique, but consistent in everything they do.

An indoor photograph taken in a large, dimly lit room with exposed wooden beams, suggesting a barn or rustic event venue. A group of people are seated at round tables in the foreground, facing a large projection screen. The screen is displaying an old, square-format photograph of two young girls or women smiling and submerged up to their chests in churning water, possibly a pool or the ocean. The two people on the screen are looking directly toward the viewer. The room's lighting is warm and low, highlighting the audience and the wooden architecture.
An indoor photograph shows a heartfelt embrace between two people in the center of the frame, suggesting a warm social gathering. The person on the right, wearing a blue denim jacket over a black shirt, is hugging the person on the left, who is in a black short-sleeved top. The person in the jacket is holding a bottle in their right hand. Behind them is a dark wall, with a large, bright red curtain pulled back on the right side. Above them is a white wall-mounted air conditioning unit. To the left, a woman with blonde, curly hair and a white open cardigan over a dark top is smiling broadly, holding a bottle of beer and looking at the embracing pair. Other attendees are partially visible in the foreground and on the far left. A stained-glass lamp hangs in the upper left corner, casting a warm light. The overall scene is well-lit and feels casual.
A candid, sunlit outdoor photograph shows a young woman with dark hair and glasses laughing joyfully. She is wearing a light blue denim or chambray shirt over a dark t-shirt with a graphic design. She is seated or leaning against a rustic wooden bar or counter. A man is partially visible on the far left, holding a pair of sunglasses. In the soft-focus background, there is greenery and a few other people seated at a table. The overall scene is bright and warm, suggesting a casual, happy social gathering in the late afternoon.
A candid, sunlit outdoor portrait of two people, both wearing glasses and smiling directly at the camera. The person on the left is younger, wearing a black baseball cap and a black t-shirt with a light blue graphic that reads "ENCORE". The person on the right is older, wearing a plain red t-shirt, and has their right arm wrapped around the shoulder of the person on the left. They are standing on what appears to be a paved road or path with a blurred background of trees and vehicles, suggesting the photo was taken outdoors in soft, warm, natural light.

Stories That Show the Impact

When real people tell their own stories, the message lands.

We’ve spent enough time around be; to know that metrics only tell part of the story. The real proof lives in voices like Jayce and Thomas.

Jayce’s Story – Watch Jayce’s Story

Jayce talks about his journey growing up with the challenges members of the LGBTQIA+ community face in family and friendships, his transition, and the importance of finding a space that celebrates him fully. “I can walk in and feel safe,” he says. “That’s something I don’t take for granted.”

Thomas’s Story – Watch Thomas’s Story Thomas brings humor and openness to his film in a way that showcases just how diverse and larger than life living on the spectrum can be. He jokes, he laughs, he speaks honestly about what it means to belong. Watching him, it’s impossible not to smile.

These films were never scripted. They were conversations that happened with a camera present. The be; seen series was built on that trust. It’s an invitation for the adults with differing abilities and LGBTQIA+ community to describe itself in its own words. An invitation that we know will bring new faces to the table and leave everyone better for it.

Stories That Show the Impact

When real people tell their own stories, the message lands.

We’ve spent enough time around be; to know that metrics only tell part of the story. The real proof lives in voices like Jayce and Thomas.

Jayce’s Story – Watch Jayce’s Story

Jayce talks about his journey growing up with the challenges members of the LGBTQIA+ community face in family and friendships, his transition, and the importance of finding a space that celebrates him fully. “I can walk in and feel safe,” he says. “That’s something I don’t take for granted.”

Thomas’s Story – Watch Thomas’s Story Thomas brings humor and openness to his film in a way that showcases just how diverse and larger than life living on the spectrum can be. He jokes, he laughs, he speaks honestly about what it means to belong. Watching him, it’s impossible not to smile.

These films were never scripted. They were conversations that happened with a camera present. The be; seen series was built on that trust. It’s an invitation for the adults with differing abilities and LGBTQIA+ community to describe itself in its own words. An invitation that we know will bring new faces to the table and leave everyone better for it.

Stories That Show the Impact

When real people tell their own stories, the message lands.

We’ve spent enough time around be; to know that metrics only tell part of the story. The real proof lives in voices like Jayce and Thomas.

Jayce’s Story – Watch Jayce’s Story

Jayce talks about his journey growing up with the challenges members of the LGBTQIA+ community face in family and friendships, his transition, and the importance of finding a space that celebrates him fully. “I can walk in and feel safe,” he says. “That’s something I don’t take for granted.”

Thomas’s Story – Watch Thomas’s Story Thomas brings humor and openness to his film in a way that showcases just how diverse and larger than life living on the spectrum can be. He jokes, he laughs, he speaks honestly about what it means to belong. Watching him, it’s impossible not to smile.

These films were never scripted. They were conversations that happened with a camera present. The be; seen series was built on that trust. It’s an invitation for the adults with differing abilities and LGBTQIA+ community to describe itself in its own words. An invitation that we know will bring new faces to the table and leave everyone better for it.

A candid, warm-toned indoor photograph showing two women relaxing in a cozy setting near a large window and glass door. The woman in the foreground, seated on a red velvet antique-style sofa, is smiling gently while looking down at a smartphone she is holding. She has light-colored hair and is wearing a lavender top and dark jeans. Behind her and slightly out of focus, another woman with light hair is seated, looking away, perhaps out the window. The room features several potted green plants, and on the wooden-paneled wall behind the women, there is a framed piece of art depicting an animal with large horns, possibly a Highland cow. Soft, natural light streams in from the left side of the frame.

The Firefly Project Partnership

Listening first, then translating what we heard.

When we started the Firefly Project, the idea was simple: help local nonprofits tell their stories with clarity and dignity. With be;, that process felt personal from the start.

We listened first. Every interview and planning session taught us more about what inclusion actually looks like when it’s lived. From there, we built visuals and language that matched the tone of the people we met: kind, grounded, and quietly confident.

The work included video production, web design, and writing, but what mattered most was tone. From the beginning, we knew we were there to put into words what be; already had. The magic was there — we just helped them spread it. The brand carries the warmth of the community it represents. The website speaks plainly. The films speak emotionally. Together, they give people an easy way to understand be; without needing anyone to explain it.

A candid, warm-toned indoor photograph showing two women relaxing in a cozy setting near a large window and glass door. The woman in the foreground, seated on a red velvet antique-style sofa, is smiling gently while looking down at a smartphone she is holding. She has light-colored hair and is wearing a lavender top and dark jeans. Behind her and slightly out of focus, another woman with light hair is seated, looking away, perhaps out the window. The room features several potted green plants, and on the wooden-paneled wall behind the women, there is a framed piece of art depicting an animal with large horns, possibly a Highland cow. Soft, natural light streams in from the left side of the frame.

The Firefly Project Partnership

Listening first, then translating what we heard.

When we started the Firefly Project, the idea was simple: help local nonprofits tell their stories with clarity and dignity. With be;, that process felt personal from the start.

We listened first. Every interview and planning session taught us more about what inclusion actually looks like when it’s lived. From there, we built visuals and language that matched the tone of the people we met: kind, grounded, and quietly confident.

The work included video production, web design, and writing, but what mattered most was tone. From the beginning, we knew we were there to put into words what be; already had. The magic was there — we just helped them spread it. The brand carries the warmth of the community it represents. The website speaks plainly. The films speak emotionally. Together, they give people an easy way to understand be; without needing anyone to explain it.

A candid, warm-toned indoor photograph showing two women relaxing in a cozy setting near a large window and glass door. The woman in the foreground, seated on a red velvet antique-style sofa, is smiling gently while looking down at a smartphone she is holding. She has light-colored hair and is wearing a lavender top and dark jeans. Behind her and slightly out of focus, another woman with light hair is seated, looking away, perhaps out the window. The room features several potted green plants, and on the wooden-paneled wall behind the women, there is a framed piece of art depicting an animal with large horns, possibly a Highland cow. Soft, natural light streams in from the left side of the frame.

The Firefly Project Partnership

Listening first, then translating what we heard.

When we started the Firefly Project, the idea was simple: help local nonprofits tell their stories with clarity and dignity. With be;, that process felt personal from the start.

We listened first. Every interview and planning session taught us more about what inclusion actually looks like when it’s lived. From there, we built visuals and language that matched the tone of the people we met: kind, grounded, and quietly confident.

The work included video production, web design, and writing, but what mattered most was tone. From the beginning, we knew we were there to put into words what be; already had. The magic was there — we just helped them spread it. The brand carries the warmth of the community it represents. The website speaks plainly. The films speak emotionally. Together, they give people an easy way to understand be; without needing anyone to explain it.

A black and white, candid indoor photograph of a large audience gathered in a rustic event space, likely a barn, with high ceilings and a wooden loft area above. The room is dimly lit, with the focus on the seated crowd in the main floor area. People are seated at small, round black tables, facing toward the left of the frame, where an event or speaker is taking place, with many individuals smiling or laughing. A person's shoulder and arm are visible in the extreme lower-left corner, suggesting the photo was taken from just behind someone standing near the audience. An exit sign is visible above a door on the left wall.

Why It Matters

Turning access into connection.

Adults with differing abilities and LGBTQIA+ identities often move through systems designed to manage, not connect. be; turns that on its head. It focuses on what happens after access is granted — the friendships, routines, and small rituals that turn inclusion into community.

What’s powerful about be; is how ordinary it feels once you’re in it. There’s no grand mission statement in the room, just people talking, creating, and laughing together. That ordinariness is the achievement.

From a storytelling perspective, this project reminded us that authenticity travels further than aspiration. be; doesn’t present an image of belonging; it practices it, one event at a time.

Explore Resources
A black and white, candid indoor photograph of a large audience gathered in a rustic event space, likely a barn, with high ceilings and a wooden loft area above. The room is dimly lit, with the focus on the seated crowd in the main floor area. People are seated at small, round black tables, facing toward the left of the frame, where an event or speaker is taking place, with many individuals smiling or laughing. A person's shoulder and arm are visible in the extreme lower-left corner, suggesting the photo was taken from just behind someone standing near the audience. An exit sign is visible above a door on the left wall.

Why It Matters

Turning access into connection.

Adults with differing abilities and LGBTQIA+ identities often move through systems designed to manage, not connect. be; turns that on its head. It focuses on what happens after access is granted — the friendships, routines, and small rituals that turn inclusion into community.

What’s powerful about be; is how ordinary it feels once you’re in it. There’s no grand mission statement in the room, just people talking, creating, and laughing together. That ordinariness is the achievement.

From a storytelling perspective, this project reminded us that authenticity travels further than aspiration. be; doesn’t present an image of belonging; it practices it, one event at a time.

Explore Resources
A black and white, candid indoor photograph of a large audience gathered in a rustic event space, likely a barn, with high ceilings and a wooden loft area above. The room is dimly lit, with the focus on the seated crowd in the main floor area. People are seated at small, round black tables, facing toward the left of the frame, where an event or speaker is taking place, with many individuals smiling or laughing. A person's shoulder and arm are visible in the extreme lower-left corner, suggesting the photo was taken from just behind someone standing near the audience. An exit sign is visible above a door on the left wall.

Why It Matters

Turning access into connection.

Adults with differing abilities and LGBTQIA+ identities often move through systems designed to manage, not connect. be; turns that on its head. It focuses on what happens after access is granted — the friendships, routines, and small rituals that turn inclusion into community.

What’s powerful about be; is how ordinary it feels once you’re in it. There’s no grand mission statement in the room, just people talking, creating, and laughing together. That ordinariness is the achievement.

From a storytelling perspective, this project reminded us that authenticity travels further than aspiration. be; doesn’t present an image of belonging; it practices it, one event at a time.

Explore Resources
A candid, close-up, indoor portrait of a woman with long, dark hair, wearing a white, ribbed sleeveless top, who is laughing heartily with her head tilted back slightly to the right. She has a genuine, joyful expression with her eyes crinkled. A colorful, floral-patterned strap from a bag or scarf is visible over her right shoulder. In the soft-focus, dim background, there is a person's dark silhouette on the far left, and hints of red curtains or fabric in the center-right. The lighting is warm, likely from an indoor source, and highlights her face.

A Place to Be

Belonging that lasts beyond the project.

What began as a chance meeting became one of the most meaningful collaborations of our studio’s work so far. be; continues to grow, expanding programs, forming new partnerships, and creating spaces that welcome everyone who walks through the door.

The project reminded us that belonging isn’t something you build once. It’s something you maintain together. The films may end, the brand may evolve, but the sense of connection keeps going. It expands; envelopes and embraces. It’s that connection we all crave and find harder to achieve, especially in adulthood.

Get Involved
An indoor photograph taken in a bright sunroom or conservatory setting. Two people are relaxing and smiling at each other. On the left, a young woman with dark hair is sitting in a hanging, open-weave wicker egg chair. She is smiling and looking toward the right. On the right, a woman with short hair, glasses, and visible tattoos on her right arm is sitting on a low ledge, wearing a dark sleeveless top and light-colored pants, holding a clear yellow cup. She is also smiling and looking toward the person in the chair. In the background, hanging on the wall is a sign that reads "WELCOME" above a rainbow flag graphic featuring three black cat faces. The room is well-lit with natural light coming through the surrounding windows.
A close-up photograph of a young woman with long, straight brown hair and a dark t-shirt, sitting on a red velvet couch indoors. She is smiling and looking toward the right, with her right hand near her mouth. The background is dark, with a framed picture and a houseplant visible. Another person is partially visible and out of focus on the far left.
A nighttime photograph of a woman with glasses, smiling and looking toward the bright orange flames of a campfire on the right. She is seated or standing behind a table, with another person partially visible in the shadows to her left. The warm light of the fire illuminates the scene.
A photograph taken at sunset in a paved outdoor area, possibly a parking lot. The setting sun is behind a group of people, creating a warm, backlit scene. In the center, a young Black woman with glasses and dark, curly hair is looking at the camera, holding a phone in her left hand and making a peace sign with her right hand. She is wearing a dark top and blue denim shorts. Several other people are visible around her, mostly silhouetted by the bright light. Cars are parked in the background.
A close-up shot of a dark wall decorated with several framed posters and art. Key posters include a black and white one for the "Cole Field House, University of Maryland", an orange and black cartoon-style drawing of a person playing a guitar with "Chris Martin" written on it, and a partially visible green "Abbey Road Show" poster. A tissue box is in the foreground, and a vertical image of a smiling person is on the far right.
A candid, close-up, indoor portrait of a woman with long, dark hair, wearing a white, ribbed sleeveless top, who is laughing heartily with her head tilted back slightly to the right. She has a genuine, joyful expression with her eyes crinkled. A colorful, floral-patterned strap from a bag or scarf is visible over her right shoulder. In the soft-focus, dim background, there is a person's dark silhouette on the far left, and hints of red curtains or fabric in the center-right. The lighting is warm, likely from an indoor source, and highlights her face.

A Place to Be

Belonging that lasts beyond the project.

What began as a chance meeting became one of the most meaningful collaborations of our studio’s work so far. be; continues to grow, expanding programs, forming new partnerships, and creating spaces that welcome everyone who walks through the door.

The project reminded us that belonging isn’t something you build once. It’s something you maintain together. The films may end, the brand may evolve, but the sense of connection keeps going. It expands; envelopes and embraces. It’s that connection we all crave and find harder to achieve, especially in adulthood.

Get Involved
An indoor photograph taken in a bright sunroom or conservatory setting. Two people are relaxing and smiling at each other. On the left, a young woman with dark hair is sitting in a hanging, open-weave wicker egg chair. She is smiling and looking toward the right. On the right, a woman with short hair, glasses, and visible tattoos on her right arm is sitting on a low ledge, wearing a dark sleeveless top and light-colored pants, holding a clear yellow cup. She is also smiling and looking toward the person in the chair. In the background, hanging on the wall is a sign that reads "WELCOME" above a rainbow flag graphic featuring three black cat faces. The room is well-lit with natural light coming through the surrounding windows.
A close-up photograph of a young woman with long, straight brown hair and a dark t-shirt, sitting on a red velvet couch indoors. She is smiling and looking toward the right, with her right hand near her mouth. The background is dark, with a framed picture and a houseplant visible. Another person is partially visible and out of focus on the far left.
A nighttime photograph of a woman with glasses, smiling and looking toward the bright orange flames of a campfire on the right. She is seated or standing behind a table, with another person partially visible in the shadows to her left. The warm light of the fire illuminates the scene.
A photograph taken at sunset in a paved outdoor area, possibly a parking lot. The setting sun is behind a group of people, creating a warm, backlit scene. In the center, a young Black woman with glasses and dark, curly hair is looking at the camera, holding a phone in her left hand and making a peace sign with her right hand. She is wearing a dark top and blue denim shorts. Several other people are visible around her, mostly silhouetted by the bright light. Cars are parked in the background.
A close-up shot of a dark wall decorated with several framed posters and art. Key posters include a black and white one for the "Cole Field House, University of Maryland", an orange and black cartoon-style drawing of a person playing a guitar with "Chris Martin" written on it, and a partially visible green "Abbey Road Show" poster. A tissue box is in the foreground, and a vertical image of a smiling person is on the far right.
A candid, close-up, indoor portrait of a woman with long, dark hair, wearing a white, ribbed sleeveless top, who is laughing heartily with her head tilted back slightly to the right. She has a genuine, joyful expression with her eyes crinkled. A colorful, floral-patterned strap from a bag or scarf is visible over her right shoulder. In the soft-focus, dim background, there is a person's dark silhouette on the far left, and hints of red curtains or fabric in the center-right. The lighting is warm, likely from an indoor source, and highlights her face.

A Place to Be

Belonging that lasts beyond the project.

What began as a chance meeting became one of the most meaningful collaborations of our studio’s work so far. be; continues to grow, expanding programs, forming new partnerships, and creating spaces that welcome everyone who walks through the door.

The project reminded us that belonging isn’t something you build once. It’s something you maintain together. The films may end, the brand may evolve, but the sense of connection keeps going. It expands; envelopes and embraces. It’s that connection we all crave and find harder to achieve, especially in adulthood.

Get Involved
An indoor photograph taken in a bright sunroom or conservatory setting. Two people are relaxing and smiling at each other. On the left, a young woman with dark hair is sitting in a hanging, open-weave wicker egg chair. She is smiling and looking toward the right. On the right, a woman with short hair, glasses, and visible tattoos on her right arm is sitting on a low ledge, wearing a dark sleeveless top and light-colored pants, holding a clear yellow cup. She is also smiling and looking toward the person in the chair. In the background, hanging on the wall is a sign that reads "WELCOME" above a rainbow flag graphic featuring three black cat faces. The room is well-lit with natural light coming through the surrounding windows.
A close-up photograph of a young woman with long, straight brown hair and a dark t-shirt, sitting on a red velvet couch indoors. She is smiling and looking toward the right, with her right hand near her mouth. The background is dark, with a framed picture and a houseplant visible. Another person is partially visible and out of focus on the far left.
A nighttime photograph of a woman with glasses, smiling and looking toward the bright orange flames of a campfire on the right. She is seated or standing behind a table, with another person partially visible in the shadows to her left. The warm light of the fire illuminates the scene.
A photograph taken at sunset in a paved outdoor area, possibly a parking lot. The setting sun is behind a group of people, creating a warm, backlit scene. In the center, a young Black woman with glasses and dark, curly hair is looking at the camera, holding a phone in her left hand and making a peace sign with her right hand. She is wearing a dark top and blue denim shorts. Several other people are visible around her, mostly silhouetted by the bright light. Cars are parked in the background.
A close-up shot of a dark wall decorated with several framed posters and art. Key posters include a black and white one for the "Cole Field House, University of Maryland", an orange and black cartoon-style drawing of a person playing a guitar with "Chris Martin" written on it, and a partially visible green "Abbey Road Show" poster. A tissue box is in the foreground, and a vertical image of a smiling person is on the far right.

Building be; seen — Turning Story into Experience

Translating community warmth into brand, website, and film.

Through the Firefly Project partnership, our work with be; evolved from documenting community to shaping how it’s experienced. We wanted someone visiting the site to feel what it’s like to walk into a be; event. Welcomed, curious, and relaxed.

Each design choice came from listening. The result is less a brand system than a mirror — a reflection of the people who make be; what it is.

The be; seen series grew out of that same process. Each film offers a window into the community through the words and faces of those who live it. It doesn’t explain be;; it shows what it FEELS like.

Watch the be; seen series

Building be; seen — Turning Story into Experience

Translating community warmth into brand, website, and film.

Through the Firefly Project partnership, our work with be; evolved from documenting community to shaping how it’s experienced. We wanted someone visiting the site to feel what it’s like to walk into a be; event. Welcomed, curious, and relaxed.

Each design choice came from listening. The result is less a brand system than a mirror — a reflection of the people who make be; what it is.

The be; seen series grew out of that same process. Each film offers a window into the community through the words and faces of those who live it. It doesn’t explain be;; it shows what it FEELS like.

Watch the be; seen series

Building be; seen — Turning Story into Experience

Translating community warmth into brand, website, and film.

Through the Firefly Project partnership, our work with be; evolved from documenting community to shaping how it’s experienced. We wanted someone visiting the site to feel what it’s like to walk into a be; event. Welcomed, curious, and relaxed.

Each design choice came from listening. The result is less a brand system than a mirror — a reflection of the people who make be; what it is.

The be; seen series grew out of that same process. Each film offers a window into the community through the words and faces of those who live it. It doesn’t explain be;; it shows what it FEELS like.

Watch the be; seen series

The be; Fundraiser 2025

A community night of film, music, and $35,000 raised.

The first time everything came together (formally, anyway) was at the be; Fundraiser 2025 ft. Melissa Ferrick on September 20, 2025 at Mistletoe Acres Farm. The barn doors were open, the lights warm, and laughter carried out into the night.

The event marked the official launch of the new brand, website, and be; seen series. As the films played, familiar faces appeared on screen. Friends watched friends tell stories that had, until then, mostly lived within the community. It was proud and tender. Truly a shared moment of recognition.

When Melissa began to play, people sang along softly at first, then louder, until the room became one collective voice. It felt like everything the project had been building toward: story meeting song, design meeting emotion, community meeting itself.

The fundraiser raised more than $35,000 to support ongoing programs, but its value went far beyond the number. For the first time, be; could show exactly who it was — through music, film, and the people it was built for.

Acknowledgements Silent Auction Donors: Alexis Marie Photography – Family Portrait Session; Matthew Hall – Custom Dollhouse; Aiden Doherty – Custom Electric Guitar; Ed Capeau – Tin Man Art Prints.

Top Sponsor: North River Collaborative.

Venue: Mistletoe Acres Farm.

Volunteers: The be; birds. Learn more or become one.

Emcee: Chris Snell Jr.

About Melissa Ferrick Artist, agent, and educator, Melissa Ferrick has spent three decades creating work that invites connection. She’s a Professor of Practice at Northeastern University and an agent with Paladin Artists Agency, continuing to mentor and advocate for queer and independent artists with the same heart she brings to the stage.

Used with permission from the artist for photo, video, and song in the recap.

Impact and What Comes Next That night wasn’t just a fundraiser. It was a moment where all the work — brand, films, and community — came together in one place. The stories gave people language for what they’d always felt. The website gave new participants a way in. Together they built something lasting: a shared sense of belonging and pride. A place where, if even for an hour, magic was real and everyone had a seat to the show.

Explore be;

The be; Fundraiser 2025

A community night of film, music, and $35,000 raised.

The first time everything came together (formally, anyway) was at the be; Fundraiser 2025 ft. Melissa Ferrick on September 20, 2025 at Mistletoe Acres Farm. The barn doors were open, the lights warm, and laughter carried out into the night.

The event marked the official launch of the new brand, website, and be; seen series. As the films played, familiar faces appeared on screen. Friends watched friends tell stories that had, until then, mostly lived within the community. It was proud and tender. Truly a shared moment of recognition.

When Melissa began to play, people sang along softly at first, then louder, until the room became one collective voice. It felt like everything the project had been building toward: story meeting song, design meeting emotion, community meeting itself.

The fundraiser raised more than $35,000 to support ongoing programs, but its value went far beyond the number. For the first time, be; could show exactly who it was — through music, film, and the people it was built for.

Acknowledgements Silent Auction Donors: Alexis Marie Photography – Family Portrait Session; Matthew Hall – Custom Dollhouse; Aiden Doherty – Custom Electric Guitar; Ed Capeau – Tin Man Art Prints.

Top Sponsor: North River Collaborative.

Venue: Mistletoe Acres Farm.

Volunteers: The be; birds. Learn more or become one.

Emcee: Chris Snell Jr.

About Melissa Ferrick Artist, agent, and educator, Melissa Ferrick has spent three decades creating work that invites connection. She’s a Professor of Practice at Northeastern University and an agent with Paladin Artists Agency, continuing to mentor and advocate for queer and independent artists with the same heart she brings to the stage.

Used with permission from the artist for photo, video, and song in the recap.

Impact and What Comes Next That night wasn’t just a fundraiser. It was a moment where all the work — brand, films, and community — came together in one place. The stories gave people language for what they’d always felt. The website gave new participants a way in. Together they built something lasting: a shared sense of belonging and pride. A place where, if even for an hour, magic was real and everyone had a seat to the show.

Explore be;

The be; Fundraiser 2025

A community night of film, music, and $35,000 raised.

The first time everything came together (formally, anyway) was at the be; Fundraiser 2025 ft. Melissa Ferrick on September 20, 2025 at Mistletoe Acres Farm. The barn doors were open, the lights warm, and laughter carried out into the night.

The event marked the official launch of the new brand, website, and be; seen series. As the films played, familiar faces appeared on screen. Friends watched friends tell stories that had, until then, mostly lived within the community. It was proud and tender. Truly a shared moment of recognition.

When Melissa began to play, people sang along softly at first, then louder, until the room became one collective voice. It felt like everything the project had been building toward: story meeting song, design meeting emotion, community meeting itself.

The fundraiser raised more than $35,000 to support ongoing programs, but its value went far beyond the number. For the first time, be; could show exactly who it was — through music, film, and the people it was built for.

Acknowledgements Silent Auction Donors: Alexis Marie Photography – Family Portrait Session; Matthew Hall – Custom Dollhouse; Aiden Doherty – Custom Electric Guitar; Ed Capeau – Tin Man Art Prints.

Top Sponsor: North River Collaborative.

Venue: Mistletoe Acres Farm.

Volunteers: The be; birds. Learn more or become one.

Emcee: Chris Snell Jr.

About Melissa Ferrick Artist, agent, and educator, Melissa Ferrick has spent three decades creating work that invites connection. She’s a Professor of Practice at Northeastern University and an agent with Paladin Artists Agency, continuing to mentor and advocate for queer and independent artists with the same heart she brings to the stage.

Used with permission from the artist for photo, video, and song in the recap.

Impact and What Comes Next That night wasn’t just a fundraiser. It was a moment where all the work — brand, films, and community — came together in one place. The stories gave people language for what they’d always felt. The website gave new participants a way in. Together they built something lasting: a shared sense of belonging and pride. A place where, if even for an hour, magic was real and everyone had a seat to the show.

Explore be;